I don’t mean to interrupt people I just randomly remember things and get really excited I’m sorry
i really wanna be in a movie but on the other hand, i’d probably make them delete the every scene because i looked bad
See if the male you are saying no to immediately stops and respects your boundary, or if his automatic response, reflexive—as though he’s been learning how to do this since he was a boy, as though he sees no other response more logical than this—is to attempt to do what you have just asked him not to do to you. Notice how you feel when telling a man “no” as well. Do you feel butterflies in your stomach? Do you feel guilty (denying him his right of access to you)? Do you feel mean? Do you feel unsure at all as to whether or not you have the right to tell him no? It is very easy to feel that men are not so bad when you are still making sure to give them what they want.
Nicki Minaj is not a woman who easily slides into the roles assigned to women in her industry or elsewhere. She’s not polished, she’s not concerned with her reputation, and she’s certainly not fighting for equality among mainstream second-wave feminists. She’s something else, and she’s something equally worth giving credence to: a boundary-breaker, a nasty bitch, a self-proclaimed queen, a self-determined and self-made artist. She’s one of the boys, and she does it with the intent to subvert what it means. She sings about sexy women, about fucking around with different men. She raps about racing ahead in the game, imagines up her own strings of accolades, and rolls with a rap family notorious for dirty rhymes, foul mouths, and disregard for authority and hegemony.
While Beyoncé has expanded feminist discourse by reveling in her role as a mother and wife while also fighting for women’s rights, Minaj has been showing her teeth in her climb to the top of a male-dominated genre. Both, in the process, have expanded our society’s idea of what an empowered women looks like — but Minaj’s feminist credentials still frequently come under fire. To me, it seems like a clear-cut case of respectability politics and mainstreaming of the feminist movement: while feminist writers raved over Beyoncé’s latest album and the undertones of sexuality and empowerment that came with it, many have questioned Minaj’s decisions over the years to subvert beauty norms using her own body, graphically talk dirty in her work, and occasionally declare herself dominant in discourse about other women. (All of these areas of concern, however, didn’t seem to come into play when Queen Bey did the same.)